Summary

James Tyner reinterprets the place of agriculture under the Khmer Rouge, positioning it in new ways relative to Marxism, capitalism, and genocide. The Cambodian revolutionaries’ agricultural management is widely viewed by critics as irrational and dangerous, and it is invoked as part of wider efforts to discredit leftist movements. Researching the specific functioning of Cambodia’s transition from farms to agriculture within the context of the global economy, Tyner comes to a different conclusion. He finds that analysis of “actually existing political economy”—as opposed to the Marxist identification the Khmer Rouge claimed—points to overlap between Cambodian practice and agrarian capitalism.

Tyner argues that dissolution of the traditional Khmer family farm under the aegis of state capitalism is central to any understanding of the mass violence unleashed by the Khmer Rouge. Seen less as a radical outlier than as part of a global shift in farming and food politics, the Cambodian tragedy imparts new lessons to our understanding of the political economy of genocide.

Contents

Preface
Acknowledgments

1. “Revolution Is the People’s War”
2. “Be Masters of Your Own Destiny!”
3. “We Are Building Socialism in the Cooperatives”
4. “Currency Is a Most Poisonous Tool”

Epilogue

Notes
Bibliography
Index

Author

James A. Tyner is a professor of geography at Kent State University and a fellow of the American Association of Geographers. He is the author of numerous books, including War, Violence, and Population: Making the Body Count, which received the AAG Meridian Book Award for Outstanding Scholarly Work in Geography, and The Politics of Lists: Bureaucracy and Genocide under the Khmer Rouge (WVU Press).

Reviews

“James Tyner has a gift for conveying complex subjects in a direct and accessible style, and his book will make a real contribution to the field of genocide studies generally, and to the study of the Cambodian genocide more specifically.”
Alex Alvarez, author of Unstable Ground: Climate Change, Conflict, and Genocide

“This original study will appeal to scholars interested in the agrarian policies of revolutionary governments and the alternative historical geographies of capitalism.”
Choice

“A relatively thin book, but it is an important one for scholars interested in Cambodian genocide and genocide studies more broadly. . . . Red Harvests adds important and novel explanations for this mass violence that the existing accounts, including Hinton’s, have overlooked.”
Agricultural History

Summary

Feminist Geography Unbound is a call to action—to expand imaginations and to read and travel more widely and carefully through terrains that have been cast as niche, including Indigenous and decolonial feminisms, Black geographies, and trans geographies. The original essays in this collection center three themes to unbind and enable different feminist futures: discomfort as a site where differences generate both productive and immobilizing frictions, gendered and racialized bodies as sites of political struggle, and the embodied work of building the future.

Drawing on diverse theoretical backgrounds and a range of field sites, contributors consider how race, gender, citizenship, and class often determine who feels comfort and who is tasked with producing it. They work through bodies as terrains of struggle that make claims to space and enact political change, and they ask how these politics prefigure the futures that we fear or desire. The book also champions feminist geography as practice, through interviews with feminist scholars and interludes in which feminist collectives speak to their experience inhabiting and transforming academic spaces. Feminist Geography Unbound is grounded in a feminist geography that has long forced the discipline to grapple with the production of difference, the unequal politics of knowledge production, and gender’s constitutive role in shaping social life.

Contents

Acknowledgments

Introduction
Banu Gökarıksel, Michael Hawkins, Christopher Neubert, and Sara Smith

Part I.
Discomfort across Encounters
1. Brown Scholar, Black Studies: On Suffering, Witness, and Materialist Relationality
Pavithra Vasudevan

2. The Path to Radical Vulnerability: Feminist Praxis and Community Food Collaborations
Carrie Chennault

3. Toilets and the Public Imagination: Planning for Safe and Inclusive Spaces
Rachael Cofield and Petra L. Doan

4. Interview with Kumarini Silva

Part II.
Gendered Bodies as a Terrain of Political Struggle
5. “Real” and “Mythical” Bodies Weaving Social Skin: Two Waorani Women Disrupting Genres of Amazonian Humanity
Gabriela Valdivia, Kati Álvarez, Alicia Weya Cawiya, Manuela Ima Omene, Dayuma Albán, and Flora Lu

6. (Tiny) Houses and Black Feminist Geographic Praxis: Building More Humanly Workable Geographies
Tia-Simone Gardner

7. Decolonizing Development, Challenging Patriarchy: Colonialism, Capitalism, and Gender in Diné Bikeyah
Melanie K. Yazzie and Andrew Curley

8. Women-Only Spaces as a Method of Policing the Category of Woman
Abigail Barefoot

9. Interview with Petra Doan

Part III.
Temporality and Feminist Futures
10. Making Memory: Care and Dalit Feminist Archiving
Anusha Hariharan

11. From the Women’s Movement to the Academy: Feminist Urban Planning, 1970–1985
Bri Gauger

12. Challenging Anglocentric Feminist Geography from Latin American Feminist Debates on Territoriality
Sofia Zaragocin

13. Interview with LaToya Eaves

Interlude: Calling All Collectives 
Interviews with Feminist Geography Collectives
Jess Linz, Araby Smyth, Emily Billo, Winifred Curran, Roberta Hawkins, Beverley Mullings, Alison Mountz, Kate Parizeau, Margaret Walton-Roberts, Risa Whitson, Annie Elledge, Caroline Faria, Dominica Whitesell, Danya Al-Saleh, Elsa Noterman, and FLOCK Geography Collective

Afterword
Lorraine Dowler

Contributors
Index

Editors

Banu Gökarıksel is professor, Michael Hawkins and Christopher Neubert are PhD candidates, and Sara Smith is associate professor in the department of geography at the University of North Carolina at Chapel Hill.

Reviews

“Feminist Geography Unbound is a must-read for students and scholars interested in the diversity of feminist geographic thought, action, and activism. This is an exceptionally edited collection of leading scholars’ research and reflections on gender, race, sexuality, identity, vulnerability, and power relations. I highly recommend this book for advanced undergraduate and graduate courses engaging with feminist geographic scholarship and methods.”
Jennifer L. Fluri, coauthor of The Carpetbaggers of Kabul and Other American-Afghan Entanglements: Intimate Development, Geopolitics, and the Currency of Gender and Grief

Summary

Weatherford Award Finalist, Nonfiction

Environmental law has failed spectacularly to protect Appalachia from the ravages of liberal capitalism, and from extractive industries in particular. Remaking Appalachia chronicles such failures, but also puts forth hopeful paths for truly radical change.

Remaking Appalachia begins with an account of how, over a century ago, laws governing environmental and related issues proved fruitless against the rising power of coal and other industries. Key legal regimes were, in fact, explicitly developed to support favored industrial growth. Aided by law, industry succeeded in maximizing profits not just through profound exploitation of Appalachia’s environment but also through subordination along lines of class, gender, and race. After chronicling such failures and those of liberal development strategies in the region, Stump explores true system change beyond law “reform.” Ecofeminism and ecosocialism undergird this discussion, which involves bottom-up approaches to transcending capitalism that are coordinated from local to global scales.

Contents

Acknowledgments

Introduction
1. Historical Beginnings: Appalachian Coal and the Coming of Industrial Capitalism
2. Foundations of Environmental Law: Classical Liberalism
3. Twentieth-Century Appalachia: Failed Development Models and Coal’s Hegemony
4. Environmental Law: A Critically Flawed Paradigm
5. Modern Appalachia: Environmental Law’s Failure and the Broader Regional Landscape
6. Systemic Economic and Socio-Legal Change: Theory, Practice, and Praxis
7. Remaking Appalachia: Strongly Ecologically Sustainable Futures

Notes
Bibliography
Index

Author

Nicholas F. Stump is a lifelong West Virginian. His scholarship explores environmental law, critical legal theory, law and social movements, and Appalachian and rural studies. He currently works as a faculty member with the George R. Farmer Jr. Law Library at West Virginia University College of Law.

Reviews

“Remaking Appalachia offers a thorough critical account of Appalachia through a law and political economy lens, and makes a persuasive case for what the region needs today: a hopeful vision for a new future rooted in transformative, bottom-up change.”
Ann M. Eisenberg, University of South Carolina

“A must-read for anyone concerned about our reliance on unsustainable energy sources and environmentally damaging practices, and what can be done about it.”
Law Library Journal

Summary

This catalogue was published on the occasion of the exhibition “Studio Window: The Prints of Grace Martin Taylor,” curated by Robert Bridges, at the Art Museum of West Virginia University, Morgantown, West Virginia, September 16 to December 15, 2016. The exhibition marked the first time that a complete set of Grace Martin Taylor’s white-line prints have been exhibited. Taylor was born near Morgantown and graduated from WVU before embarking on a career in art. She studied with her cousin, internationally known American modernist Blanche Lazzell, and went on to study at the Pennsylvania Academy of Fine Arts with Arthur Carles in the 1920s, and later with prestigious artists such as Hans Hofmann and Emil Bisttram. One of America’s innovative printmakers of the 20th century, Taylor dedicated her life to teaching art in West Virginia for 40 years at what is now the University of Charleston, where she promoted modern art and abstraction.

Contents

Coming soon

Author

Robert Bridges is curator of the Art Museum of West Virginia University. Between 2000 and 2015, Bridges organized more than 80 exhibitions in WVU’s Mesaros Galleries, among them “Ceramic Art from the Jingdezhen Ceramic Institute” and two national exhibitions featuring the work of American Modernist Blanche Lazzell. Since the opening of the Art Museum in 2015, his curatorial projects have included “Shepard Fairey: Work Against the Clampdown” and “Paintings and Sculptures by Sally and Peter Saul,” among others. Bridges is co-editor (along with Kristina Olson and Janet Snyder) of Blanche Lazzell: The Life and Work of An American Modernist (WVU Press, 2004). He received his MFA in printmaking at WVU and previously worked as a curator in the private sector in Chicago.

Kristina Olson is an associate professor of art history at West Virginia University, as well as the associate director of the School of Art & Design. Her research focuses on the intersection of contemporary art and architecture. She is co-editor of Social Practice Art in Turbulent Times: The Revolution Will Be Live (Routledge, 2019).

Reviews

Coming soon

Summary

Blanche Lazzell (1878–1956), a cubist painter known for her white line woodcuts, received a degree from West Virginia University in 1905. She later studied at the Art Students League, as well as in Paris and Provincetown, Massachusetts. As she continued her studies, her work became more and more informed by modernism; however, it was her involvement in Hans Hofmann’s drawing classes in 1937–38 that encouraged Lazzell’s return to abstraction. Published to accompany an exhibition held at West Virginia University, in Morgantown, West Virginia, the catalogue features drawings by Blanche Lazzell with a major essay by Kristina Olson, explaining Hans Hofmann's impact on the artist. The catalogue lists 30 works in the exhibition.

Contents

Coming soon

Author

Robert Bridges is curator of the Art Museum of West Virginia University. Between 2000 and 2015, Bridges organized more than 80 exhibitions in WVU’s Mesaros Galleries, among them “Ceramic Art from the Jingdezhen Ceramic Institute” and two national exhibitions featuring the work of American Modernist Blanche Lazzell. Since the opening of the Art Museum in 2015, his curatorial projects have included “Shepard Fairey: Work Against the Clampdown” and “Paintings and Sculptures by Sally and Peter Saul,” among others. Bridges is co-editor (along with Kristina Olson and Janet Snyder) of Blanche Lazzell: The Life and Work of An American Modernist (WVU Press, 2004). He received his MFA in printmaking at WVU and previously worked as a curator in the private sector in Chicago.

Kristina Olson is an associate professor of art history at West Virginia University, as well as the associate director of the School of Art & Design. Her research focuses on the intersection of contemporary art and architecture. She is co-editor of Social Practice Art in Turbulent Times: The Revolution Will Be Live (Routledge, 2019).

Reviews

Coming soon

Summary

Published with a new preface, this innovative case study from Nova Scotia analyzes the relationship between rural communities and contemporary education. Rather than supporting place-sensitive curricula and establishing networks within community populations, the rural school has too often stood apart from local life, with the generally unintended consequence that many educationally successful rural youth come to see their communities and lifestyles as places to be left behind. They face what Michael Corbett calls a mobility imperative, which, he shows, has been central to contemporary schooling. Learning to Leave argues that if education is to be democratic and serve the purpose of economic, social, and cultural development, then it must adapt and respond to the specificity of its locale, the knowledge practices of the people, and the needs of those who struggle to remain in challenged rural places.

Author

Michael Corbett teaches at Acadia University in Nova Scotia and has studied youth educational decision-making, mobilities and education, the politics of educational assessment, literacies in rural contexts, improvisation and the arts in education, conceptions of space and place, the viability of small rural schools, and wicked policy problems and controversies in education.

Contents

Preface to the 2020 Edition
Foreword
Acknowledgment

Chapter 1
Introduction
Migration and Regional Dependency: The Brain Drain
The Migration Imperative in Rural Education
Challenges to the Migration Imperative in Rural Schooling
Why Would Young People Stay?
Schooling and Migration in Atlantic Canada
Notes

Chapter 2
Reconceptualizing Resistance
Habitus, Discourse and Place
Resistance Theory in the Sociology of Education
Bourdieu’s Logic of Practice
Poststructural Resistance Theory
Resistance and Community
Rural Identity Politics
The Organized Rural Community as a Resistant Site
Conclusion: To Choose and to Move
Notes

Chapter 3
Who Stays, Who Goes and Where
Education and Migration on Digby Neck, 1963–1998
The Economy
Education Levels
Mobility
The Education/Mobility Connection
Summary
Notes

Chapter 4
Parallel Education Systems
The Classes of 1963–1974
Family and Work: An Education for Staying
The Hand on the Shoulder: Socialization for Leaving
Formal Education: Streaming for Leaving
in the 1960s and early 1970s
Learning to Do: The Construction of Intelligence
and Identity in a Coastal Community
They Wanted Me to Go to School: Schooling, Identity and Family
Leaving Home: Education and Occupational Pioneering
I Didn’t Want to End Up
Resisting Displacement
Conclusion
Notes

Chapter 5
The Boom Years
The Classes of 1975–1986
Gender, Work and Schooling
Defining Security: Education, Identity and Work
Family/Class
The Mobile Family
Becoming a Stranger
Conclusion
Notes

Chapter 6
Surviving the Crisis
The Classes of 1987–1998
What Is There For the Young Ones?
Quitting in the 1990s: Finding Something to
Do When There’s Nothing to Do
The New Reserve Army of Labour
Getting Out: Class, Gender and Education
Survival and Family
Back to the Future: Surviving in the New Economy
Resistance
Conclusion: The Mobile Discourse of Schooling
Notes

Chapter 7
Conclusion
Place Matters
Migration, Education and Ambivalence: Mobility Capital
Ambiguity, Mobility and Resistance
Resistances
Rural Schooling and Community
Notes

References
Index

Reviews

“A major research contribution—one that will join a relatively short list of first-rate books aimed at helping the education research community, as well as the general public, understand the convoluted phenomenon known as rural education.”
Journal of Research in Rural Education

“An engrossing, theoretically sophisticated, and important piece of community sociology.”
Rural Sociology

Summary

This interdisciplinary collection of eleven original essays focuses on the environmental impact of transportation, which is, as Tatiana Prorokova-Konrad and Brian C. Black note in their introduction, responsible for 26 percent of global energy use. Approaching mobility not solely as a material, logistical question but as a phenomenon mediated by culture, the book interrogates popular assumptions deeply entangled with energy choices. Rethinking transportation, the contributors argue, necessarily involves fundamental understandings of consumption, freedom, and self.

The essays in Transportation and the Culture of Climate Change cover an eclectic range of subject matter, from the association of bicycles with childhood to the songs of Bruce Springsteen, but are united in a central conviction: “Transport is a considerable part of our culture that is as hard to transform as it is for us to stop using fossil fuels—but we do not have an alternative.”

Contents

Introduction. Carbonization as a Choice: Environmental Ethics, Mobility, and Energy Options
Tatiana Prorokova-Konrad and Brian C. Black

Part I: Mobility and the Environment

1. Using Heritage and Ecological Systems Thinking to Inform Resilient Automobility Design
Barry L. Stiefel

2. Bikes for Children, Cars for Adults: Postwar American Transportation Culture and the Legacy of Moving Images
James Longhurst

3. E-Scooters and the Urban Micromobility Revolution
Matthew C. Swanson

Part II: Car Cultures

4. “Carbolization”: Cars, Carbon Emissions, and the Global Discipline of Automobility
Gordon M. Sayre

5. Hydrocarbon Enslavement and Fantasies of Freedom
Patrick D. Murphy

6. Suicide Machines: Bruce Springsteen, Ballard, and Broken Heroes on a Last Chance Power Drive
David LaRocca

7. Remainders of the Fossil Regime: Automobility Regression in Three Post-Apocalyptic Novels
Brent Ryan Bellamy

Part III: Film, Energy, and Climate Change

8. Intermodal Aesthetics and the Otherwise of Cargo
Megan Hayes and Jeff Diamanti

9. Nature Guarding “Her Treasures” in Oil Comedies: The Case of Local Hero and Fubar: Balls to the Wall
Robin L. Murray and Joseph K. Heumann

10. Boom/Bust: Tragic Logistics and Accelerationist Comedy in Petroleum Transport
C. Parker Krieg

11. Trafficking in Petronormativities: At the Intersections of Petrofeminism, Petrocolonialism, and Petrocapitalism
Sheena Wilson

Contributors
Index

Editor

Tatiana Prorokova-Konrad is a postdoctoral researcher in the department of English and American studies at the University of Vienna. She is the author of Docu-Fictions of War: U.S. Interventionism in Film and Literature and coeditor of Cultures of War in Graphic Novels: Violence, Trauma, and Memory.

Reviews

“A timely, accessible, and intriguingly interdisciplinary collection. Building upon the important work of energy humanities, which has focused on exposing the links between material systems of fueling and symbolic regimes of values and power, the collection compels the reader—in a performative act of slowing down—to contemplate the most dispersed yet most concrete site of the long twentieth century of accelerationism.”
Anindita Banerjee, Cornell University

Summary

Appalachian Englishes in the Twenty-First Century provides a complete exploration of English in Appalachia for a broad audience of scholars and educators. Starting from the premise that just as there is no single Appalachia, there is no single Appalachian dialect, this essay collection brings together wide-ranging perspectives on language variation in the region. Contributors from the fields of linguistics, education, and folklore debunk myths about the dialect’s ancient origins, examine subregional and ethnic differences, and consider the relationships between language and identity—individual and collective—in a variety of settings, including schools. They are attentive to the full range of linguistic expression, from everyday spoken grammar to subversive Dale Earnhardt memes.

A portal to the language scholarship of the last thirty years, Appalachian Englishes in the Twenty-First Century translates state-of-the-art research for a nonspecialist audience, while setting the agenda for further study of language in one of America’s most recognized regions.

Contents

Foreword by Donna Christian
Preface

Part I. Linguistic and Regional Boundaries

1. Just What and Where Are Appalachian Englishes?
J. Daniel Hasty

2. Phonological Possibilities in Appalachian Englishes
Paul E. Reed

3. Grammar across Appalachia
Kirk Hazen

Part II. Language in Society

4. Discourse in Appalachia
Allison Burkette

5. Identity and Representation in Appalachia: Perceptions in and of Appalachia, Its People, and Its Languages
Jennifer Cramer

6. Language, Gender, and Sexuality in Appalachia
Christine Mallinson and J. Inscoe

7. Language and Ethnicity in Appalachia
Becky Childs

Part III. Language in the Wider World

8. Redneck Memes as an Appalachian Reclamation of Vernacular Authority, Language, and Identity
Jordan Lovejoy

9. Intersections of Literature and Dialect in Appalachia
Isabelle Shepherd and Kirk Hazen

10. Teachers and Teens Making Sense of Identity, Place, and Language in Appalachian Secondary Schools
Audra Slocum

11. Appalachian Englishes and the College Campus
Stephany Brett Dunstan and Audrey J. Jaeger

Afterword by Walt Wolfram

Contributors
Index

Editor

Kirk Hazen is professor of linguistics at West Virginia University, where he is the founding director of the West Virginia Dialect Project and a Benedum Distinguished Scholar in the Humanities. His research, teaching, and linguistic service are all centered on social and linguistic patterns of language variation. His most recent book is An Introduction to Language, and he is coeditor of Research Methods in Sociolinguistics.

Reviews

“A much-needed, cohesive, and well-written book.”
Mary Kohn, Kansas State University

“A useful guide . . . accessible for both linguists and non-linguists.”
Journal of Appalachian Studies

Summary

The Opioid Epidemic and US Culture brings a new set of perspectives to one of the most pressing contemporary topics in Appalachia and the nation as a whole. A project aimed both at challenging dehumanizing attitudes toward those caught in the opioid epidemic and at protesting the structural forces that have enabled it, this edited volume assembles a multidisciplinary community of scholars and practitioners to consider the ways that people have mobilized their creativity in response to the crisis. From the documentary The Wild and Wonderful Whites of West Virginia to the role of cough syrup in mumble rap, and from a graphic novel’s depiction of addiction to protests against the Sackler family’s art-world philanthropy, the essays here explore the intersections of expressive culture, addiction, and recovery.

Written for an audience of people working on the front lines of the opioid crisis, the book is essential reading for social workers, addiction counselors, halfway house managers, and people with opioid use disorder. It will also appeal to the community of scholars interested in understanding how aesthetics shape our engagement with critical social issues, particularly in the fields of literary and film criticism, museum studies, and ethnomusicology.

Contents

Introduction: The Opioid Crisis and Expressive Culture
Travis D. Stimeling

Part I. On the Outside Looking In: The Opioid Crisis from Without

1. “Something Too Pure / Is Killing Us”: Opioid-Addiction Porn, Endurance, and the Neoliberal Appropriation of Resilience
Jordan Lovejoy

2. “Snort Pills on My Head”: The Visual Rhetoric of Addiction, Abjection, and White Trash in The Wild and Wonderful Whites of West Virginia
Christopher Garland

3. The Pill: Aesthetics, Addiction, and Gender in Jennifer Weiner’s All Fall Down
Ashleigh Hardin

4. Prince, Tom Petty, and Pain: Projections of Authenticity in Popular Music
Leigh H. Edwards

5. “Maybe If I’d Stayed”: Appalachian Outmigration and Narratives of Loss in Nate May’s Dust in the Bottomland
Travis D. Stimeling

Part II. If You Lived Here: Representing the Opioid Epidemic from Within

6. Pretty Lil Azzie
Crystal Good

7. The Way the World Is: From Maggie Boylan
Michael Henson

8. Finding Maggie Boylan
Michael Henson

9. You Talkin’ about Me? Turning the Blood of Appalachia’s Opioid Epidemic into Ink
Jacqueline Yahn

10. Remediating the Opioid Crisis in Museums
Ethan Sharp

11. A Hole Is Not a Void: Extraction, Addiction, and Aesthetics
Jonas N. T. Becker

12. Narrative Engagement with the Opioid Epidemic: From Personal Story to Personal Reflection
Amanda M. Caleb and Susan McDonald

13. Recovering from Addiction in Sobriety: Narrating Disability/Mental Illness through the Medium of Comic Art
Tatiana Prorokova-Konrad

14. “Hey, Let’s Have a Very Good Time”: The Opioid Aesthetics of Post-Verbal Rap
Austin T. Richey

Part III. New Day Dawning: Recovery, Sobriety, and Post-Opioid Futures

15. Healing Open Wounds
Chelsea Jack

16. Pain Is One Dance Partner: Move with It
Anne Lloyd Willett

17. Images of Opioid Addiction, Recovery, and Privilege in Mainstream Hip Hop
Paige Zalman

18. The Voices of Hope—A Recovery Community Choir: Redefining Self, Community, and Success
Natalie Shaffer

Contributors
Index

Editor

Travis D. Stimeling is associate professor of musicology at West Virginia University, where he also directs the WVU Bluegrass and Old-Time Bands. His previous books include Cosmic Cowboys and New Hicks: The Countercultural Sounds of Austin’s Progressive Country Music Scene, The Country Music Reader, and two books with WVU Press: Fifty Cents and a Box Top: The Creative Life of Nashville Session Musician Charlie McCoy and Songwriting in Contemporary West Virginia: Profiles and Reflections.

Reviews

“A wholly unique and timely approach to understanding the ways that opioids have become entangled with the lives of users and of US culture at large, and a needed complement to public health, sociological, and criminological approaches to this particular problem.”
Travis Linnemann, author of Meth Wars: Police, Media, Power