John Michael Cummings |
Jason Stevens is growing up in picturesque, historic Harpers Ferry, West Virginia in the 1970s. Back when the roads are smaller, the cars slower, the people more colorful, and Washington, D.C. is way across the mountains—a winding sixty-five miles away. Jason dreams of going to art school in the city, but he must first survive his teenage years. He witnesses a street artist from Italy charm his mother from the backseat of the family car. He stands up to an abusive husband—and then feels sorry for the jerk. He puts up with his father’s hard-skulled backwoods ways, his grandfather’s showy younger wife, and the fist-throwing schoolmates and eccentric mountain characters that make up Harpers Ferry—all topped off by a basement art project with a girl from the poor side of town. Ugly to Start Withpunctuates the exuberant highs, bewildering midpoints, and painful lows of growing up, and affirms that adolescent dreams and desires are often fulfilled in surprising ways. John Michael Cummingsis a short story writer and novelist from Harpers Ferry, West Virginia. He is the award-winning author of The Night I Freed John Brown. |
Reviews
"The linked stories inUgly to Start With invite us into one boy's life on the margins of historic Harpers Ferry. With an appropriate balance of grit and wonder, John Cummings crafts a coming-of-age narrative of a son striving for the truest expression of his identity in the midst of a family and a place where he often feels like an outsider. These stories have a hard edge to them and a hard-earned wisdom, the sort we only get in retrospect if we're lucky."
Lee Martin, author of The Bright Forever and Break the Skin
By turns tender, witty and unsettling, Ugly to Start With is a strong and memorable collection. The stories are carried along by Cummings' graceful prose and pacing, and are charged with the class and racial tensions encoded in the DNA of the United States. As a group they sketch a compelling portrait of a boy [adolescent?] trying to make sense of his town, his father, and ultimately himself.
Brendan Short, author of Dream City
John Cummings’ collection of short stories, Ugly to Start With, breathes in the atmosphere of Harper’s Ferry, West Virginia, which plays a central role in many of the conflicts over innocence and experience, development and preservation, insider and outsider, and nature and community. In this lively and sufficient landscape are a trio—a young boy, his mother, and his father, who face the complexities of knowledge of place. Sometimes knowing is painful. In other stories, there are momentary reprieves or insights provided by the boy’s sharp and wry view of life where “clocks had stopped long ago,” “one big tree” suffices to hide a multitude of sins, and in his crying he can hear his own future unhappiness echo through his body. This a lovely, funny, melancholy, and important collection of coming-of-age stories.
Maxine Chernoff, author of A Boy in Winter
In Ugly to Start With John Michael Cummings tells the story of a uniquely unhappy family with a gracious but disgruntled mother and an idiosyncratic, autocratic, sometimes brutal father who doesn’t believe in having guests or letting anything go to waste. The father with his extremism in self-reliance binds the family together for a while, but then is the cause of its flying apart. The stories embrace other painfully failed families and individuals– all richly human and somehow, seen though the eyes of the young main character, hopeful even in despair.
Meredith Sue Willis, author of Oradell at Sea
“In Ugly to Start With, John Michael Cummings has gathered a baker’s dozen of stories full of the warmth, innocence, and holy terrors of childhood. An auspicious debut.”
Peter Selgin, author of Drowning Lessons
“John Cummings is a prolific American short story writer and among the most talented of the rising generation of new regionalists who have inherited the mantle of Bobbie Ann Mason, Barry Hannah and Larry Brown. In Ugly to Start With, a series of thirteen interrelated stories set in the eastern panhandle of West Virginia, he tackles the challenges of boyhood adventure and family conflict in a taut, crystalline style that captures the triumphs and tribulations of small-town life. Not since John Brown's raid has Harpers Ferry generated such excitement for readers. Cummings has a gift for transcending the particular experiences to his characters to capture the universal truths of human affection and suffering--emotional truths that the members of his audience will recognize from their own experiences of childhood and adolescence. Cummings is a gifted author who has paid his literary dues, publishing numerous short stories in the nation's most prestigious journals. As readers, we are fortunate that he has waited so long to produce a first collection, as he is now able to gather together the very best of his short prose Needless to say, none of his stories disappoint. Each story is a riveting psychological journey, a reminder of what it's like to be young and hopeful and uncertain. This collection has defined West Virginia's eastern panhandle as Cummings country, as much as the Salinas Valley belongs to Steinbeck or working-class Albany belongs to William Kennedy. “
Jacob Appel, author of “Dyads” and “The Vermin Episode”