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Sir Gawain and the Green Knight

Sir Gawain and the Green Knight

Translated by
Larry D. Benson

With the Middle English text edited by and with a foreword by Daniel Donoghue
May 2012
186pp
PB 978-1-933202-89-1
$12.99
ePub 978-1-935978-10-7
$12.99
PDF 978-1-935978-63-3
$12.99

Purchase the Kindle Edition at Amazon

Summary

Sir Gawain and the Green Knight is a late fourteenth-century Middle English alliterative romance outlining an adventure of Sir Gawain, a knight of King Arthur’s Round Table. In this poem, Sir Gawain accepts a challenge from a mysterious green warrior. In a struggle to uphold his oath along this quest, Gawain demonstrates chivalry, loyalty, and honor.  This new verse translation of the most popular English romance of the fourteenth century to survive to the present offers students an accessible way of approaching the literature of medieval England without losing the flavor of the original writing. The language of Sir Gawain presents considerable problems to present-day readers as it is written in the West Midlands dialect before English became standardized. With a foreword by Daniel Donoghue, the close verse translation includes facing pages of the original fourteenth-century text and its modern translation.

Medieval European Studies Series, Volume XIII

Contents

Acknowledgments
Foreword
Select Bibliography
A Note on the Middle English Original Text
Sir Gawain and the Green Knight

Author

Larry Benson is Emeritus Professor of English at Harvard University. The editor of the Riverside edition of Chaucer’s works, he is also the author of Contradiction: From Beowulf to Chaucer; King Arthur’s Death: The Middle English Alliterative; Morte Arthure and Stanzai Morte Arthur; Mallory’s Morte D’ Arthur; and The Learned and the Lewed: Studies in Chaucer and Medieval Literature.  

Daniel Donoghue is the John P. Marquand Professor of English, Harvard University and the editor of the Old English series for the Dumbarton Oaks Medieval Library of Harvard University Press.

Reviews

“The great virtue of this translation is its brilliant faithfulness to the original and the way it preserves much of the flavor and  stylistic vigor of the original.”
Robert J. Hasenfratz, Professor of English and Medieval Studies, University of Connecticut

Jail House Bound: John Lomax's First Southern Prison Recordings, 1933

 
Jail House Bound

Mark Allan Jackson
February 2012
24 tracks
Interview with Lomax
CD 978-1-933202-33-4
$12.99

Summary

In 1933, John Lomax and his young son Alan traveled by car to a number of prisons scattered throughout Texas, Louisiana, Mississippi, and Tennessee. In the nation’s most restricted spaces, they recorded African-American convicts, who Lomax thought would be some of the last singers of traditional folk material due to the isolation of the institutions that held them.  As a result of this fieldwork, we now have access to a multitude of powerful songs, both well and little known, which provide some understanding of this folk group during the era of Jim Crow in America’s South.

Tracklist

  1. Rattler by Mose “Clear Rock” Platt
  2. That’s Alright, Honey by Mose “Clear Rock” Platt
  3. The Midnight Special by Ernest “Mexico” Williams
  4. Ain’t No More Cane on the Brazos by Ernest “Mexico” Williams 1933
  5. Ain’t No More Cane on the Brazos by Ernest “Mexico” Williams with James “Iron Head” Baker
  6. My Yellow Gal by James “Iron Head” Baker with R.D. Allen and Will Crosby
  7. Black Betty by James “Iron Head” Baker with R.D. Allen and Will Crosby
  8. The Grey Goose by James “Iron Head” Baker with R.D. Allen and Will Crosby
  9. Long Gone by “Lightning” Washington
  10. Long John by “Lightning” Washington
  11. Good God Almighty by “Lightning” Washington
  12. Stewball
  13. John Henry
  14. He Never Said a Mumbling Word
  15. Rosie
  16. Alabama Bound by “Bowlegs”
  17. Jumpin Judy
  18. John Henry
  19. Jumpin Judy by Allen Prothero
  20. Sit Down, Servant by Adie Corbin and Ed Frierson
  21. Levee Camp Holler by John “Black Sampson” Gibson
  22. Track Lining Song by John “Black Sampson” Gibson
  23. Steel Laying Holler by Rochelle Harris
  24. Interview with John Lomax 1933

Author

John Lomax (1867-1948) was an American teacher, a pioneering musicologist and folklorist  who did much for the preservation of American folk songs.

Mark Allan Jackson is Associate Professor of Folklore and English at Middle Tennessee State University who specializes in political expression in American music.  He has published essays, reviews, and commentaries in such journals as American MusicThe Journal of American HistoryPopular Music and SocietyThe Journal of American FolkloreJournal of Folklore Research, and The Tennessee Folklore Society Bulletin

Reviews

West Virginia Classics

View All West Virginia Classics Titles

The West Virginia Classics Series is a collaborative publishing initiative between West Virginia University Press and the West Virginia Humanities Council.

The West Virginia Classics series republishes editions of treasured literary and historical works. This rediscovery of classic texts reveals the culture and diversity of West Virginia while speaking to a new generation of readers who desire to explore the story of the Mountain State.  The highly designed editions of West Virginia Classics clear a delightful path to the past, helping citizens of all ages discover and rediscover the history, culture, and diversity of West Virginia.

Suggest Titles for This Series

West Virginia and Appalachia

View All West Virginia and Appalachia Titles

The West Virginia and Appalachia series is dedicated to the publication of works on the history and culture of the Mountain State and its region. This series publishes the best of a new generation of scholarship, integrating the historical and cultural experience of West Virginia and Appalachia into comparative regional, national, and international contexts. West Virginia University Press is the ideal location for such a series because of the state’s critical position in the region’s and the nation’s history. From its vital importance as a borderland between empires in the 18th century, to its warring sections in the Civil War era and role in America’s industrialization and “culture wars,” the story of West Virginia and Appalachia is an essential part of the story of America.

West Virginia and Appalachia is edited by Kevin Barksdale, Marshall University; Ken Fones-Wolf, West Virginia University; and Ronald L. Lewis, West Virginia University.

Regenerations

Regenerations: African American Literature and Culture is a new series devoted to reprinting editions of important African American texts that either have fallen out of print or have failed to receive the attention they deserve.

Regenerations encourages research that develops and extends the understanding of African American literary and cultural history, while promoting regional and local research that represents the complex dynamics of African American experience.

For all books published in this series, we will seek out texts with wide and varied appeal, and we will seek out scholars who are committed to providing original research on the authors and texts. Each book in the series will benefit from collaborations between experienced and emerging scholars and will feature strong biographical and historical introductions, full annotations when appropriate, and, when possible, an appendix with relevant materials by or about the author.

In addition to producing authoritative editions, Regenerations will serve the field by encouraging research that develops and extends our understanding of African American literary and cultural history. We are especially interested in texts that benefit from and promote regional and even local research, so as to represent the complex dynamics of African American experience, including great mobility and significant activity beyond the cities and states usually taken to be the main centers of African American community and literature.

In the selection and presentation of texts published in the Regenerations series, we hope to encourage research on the dynamics of geographical influence—from points of departure to multiple centers of arrival, from the “New Southern Studies” to reconsiderations of African American resettlements in Canada, from research on New England history to studies of the Black West, and from the American Midwest to the Caribbean and Latin America.

Series edited by John Ernest, University of Delaware and Joycelyn K. Moody, University of Texas at San Antonio.

View titles in the Regenerations series.


Reviews

"[This] series will expand the scholarly discussion about the ways in which such texts help us to rethink the field and insure that the books will be taught in the classroom and thereby be sustained for the next generation. . . .Professors Ernest and Moody have the expertise to insure the highest quality for these aspects of publication."
Sharon Harris, Director, Humanities Institute and Professor of English, University of Connecticut.

"As the editor of African American Review, Joycelyn K. Moody has had her finger on the pulse of new scholarship. . . . . [while] John Ernest [is] a scholarly editor whose work is careful, insightful, and accessible. . . ."
Frances Smith Foster, Charles Howard Candler Professor of English and Women's Studies, Emory University

"This [series] recognizes the enhanced role of the archive in literary research--research libraries and historical societies that have preserved the letters and papers of non-canonical writers. Such authors, whose work has been neglected are now being presented in the scholarship of literary critics as they expand the definition of the canon and revise its interpretation. . . ."
Caroline F. Sloat, Director of Book Publication, American Antiquarian Society "

"[Regenerations: African American Literature and Culture] has the potential to be a vital, exciting series that will make available neglected texts that can help us to rethink African American literary and cultural traditions."
Robert S. Levine, Distinguished Scholar-Teacher, University of Maryland