Summary

Crum Trilogy, Part 2

In this sequel to Crum, Jesse Stone is still on the move. He finds himself in a holy-roller church in Kentucky, on the other side of the Tug River from his native West Virginia, "screaming with the cannibals." From Kentucky he heads to Myrtle Beach, where he gets hired as a lifeguard, although he can’t even swim. Of course, trouble follows Jesse Stone. And so he is always in a hurry to leave—and he doesn’t much care where he is going. Throughout this tale, Jesse anxiously continues his search for a freedom and a future that he knows exists outside of his familiar world.

Learn more about the Crum trilogy.

Contents

FOREWORD

Part I
West Virginia
BLACK HAWK RIDGE

Part II
Kentucky
SCREAMING WITH THE CANNIBALS

Part III
South Carolina
BLEEDING ON THE SAND

Author

Lee Maynard was born and raised in the ridges and mountains of West Virginia, an upbringing that darkens and shapes much of his writing. His work has appeared in such publications as Columbia Review of Literature, Kestrel, Reader’s Digest, The Saturday Review, Rider Magazine, Washington Post, Country America, and The Christian Science Monitor. Maynard gained public and literary attention for his depiction of adolescent life in a rural mining town in his first novel Crum and received a Literary Fellowship in Fiction from the National Endowment for the Arts to complete Screaming with the Cannibals. Maynard serves as President and CEO of The Storehouse, an independently funded, nonprofit food pantry in Albuquerque, New Mexico. He received the 2008 Turquoise Chalice Award in honor his dedication to this organization.

Read more about Lee Maynard here.
Visit Lee Maynard's website.

Reviews

“[Maynard] once again succeeds in delivering a devastatingly soul-searching, scabrous and very funny literary experience."
Michael Shannon Friedman, The Charleston Gazette

"Between the first and last pages of Screaming with the Cannibals are characters so real you can see them bleed, smell their sweat, hear their cries of libido-provoked frustration, wallow with them in the darkness of their spirits and -- God help us all -- laugh when they die the most horrible deaths."
Dave Peyton, Charleston Daily Mail

Summary

Crum Trilogy, Part 1

In Crum, a gritty coal town on the West Virginia-Kentucky border, the boys fight, swear, chase and sometimes catch girls. The adults are cramped in and clueless, hemmed in by the mountains. The weight of wonder, dejection, and even possibility loom over this tiny, suffocating town. This story is the tale of Jesse Stone, who doesn’t know where he’s going, but knows he is leaving, and whose rebellion against the people and the place of his childhood allows him to reject the comfort and familiarity of his home in search of his place in a larger world.

Learn more about the Crum trilogy.

Contents

INTRODUCTION
Meredith Sue Willis

Crum
SUMMER
AUTUMN
WINTER
SPRING
SUMMER . . . AGAIN

Looking for Benny

Author

Lee Maynard was born and raised in the ridges and mountains of West Virginia, an upbringing that darkens and shapes much of his writing. His work has appeared in such publications as Columbia Review of Literature, Kestrel, Reader’s Digest, The Saturday Review, Rider Magazine, Washington Post, Country America, and The Christian Science Monitor. Maynard gained public and literary attention for his depiction of adolescent life in a rural mining town in his first novel Crum and received a Literary Fellowship in Fiction from the National Endowment for the Arts to complete Screaming with the Cannibals. Maynard serves as President and CEO of The Storehouse, an independently funded, nonprofit food pantry in Albuquerque, New Mexico. He received the 2008 Turquoise Chalice Award in honor his dedication to this organization.

Learn more about Lee Maynard here.
Visit Lee Maynard's website.

Reviews

"The first couple of pages, I'm cringing. I'm tempted to put it down. I imagine a schoolteacher somewhere in the Midwest having all of these awful stereotypes about us confirmed. Yet, despite myself, I continue to read, and I am moved. It is literature. Its voice is true. It's a wonderful portrait of rural America. The book wins me over."
John O'Brien, author of At Home in the Heart of Appalachia

"Each time I read Lee Maynard’s Crum, I ask myself why this foul-mouthed, sexist, scatological, hillbilly-stereotyping novel is one of my all-time favorites."
Meredith Sue Willis, author Oradell at Sea

"Crum is great. Lee Maynard is a genius. No writing has captured rural America this well since Mark Twain. A masterpiece."
Stephen Coonts, author Flight of the Intruder

"It's a tale of growing up in and moving away from Crum, a jumble of shacks on the Tug River in the state's God-forsaken southern coal fields. As tales about coming of age in rural America go, Crum isn't that much out of place on a shelf next to Mark Twain and Harper Lee."
David Bean,  The Charleston Gazette

"Maynard presents a portrait of a young man's psyche which ranks just a small notch below great American portrayals of adolescence - Huckleberry Finn and The Catcher in the Rye."
Michael Shannon Friedman, The Charleston Gazette

"Whatever you do, don't read Crum."
Jack Cawthon, Hur Herald

"For all its faults, Crum creates a hilarious, poignant, recognizable picture of a place and time, and of people I've known."
Rodger Cunningham, Journal of Appalachian Studies

"[Maynard] writes like Jean Shepherd on acid...Crum is one twisted little novel."
Robert Beveridge, Critic

"Maynard is a Gonzo Mountaineer..."
Pops Walker, musician and writer

Summary

Sir Gawain and the Green Knight is a late fourteenth-century Middle English alliterative romance outlining an adventure of Sir Gawain, a knight of King Arthur’s Round Table. In this poem, Sir Gawain accepts a challenge from a mysterious green warrior. In a struggle to uphold his oath along this quest, Gawain demonstrates chivalry, loyalty, and honor.  This new verse translation of the most popular English romance of the fourteenth century to survive to the present offers students an accessible way of approaching the literature of medieval England without losing the flavor of the original writing. The language of Sir Gawain presents considerable problems to present-day readers as it is written in the West Midlands dialect before English became standardized. With a foreword by Daniel Donoghue, the close verse translation includes facing pages of the original fourteenth-century text and its modern translation.

Medieval European Studies Series, Volume XIII

Contents

Acknowledgments
Foreword
Select Bibliography
A Note on the Middle English Original Text
Sir Gawain and the Green Knight

Author

Larry Benson is Emeritus Professor of English at Harvard University. The editor of the Riverside edition of Chaucer’s works, he is also the author of Contradiction: From Beowulf to Chaucer; King Arthur’s Death: The Middle English Alliterative; Morte Arthure and Stanzai Morte Arthur; Mallory’s Morte D’ Arthur; and The Learned and the Lewed: Studies in Chaucer and Medieval Literature.  

Daniel Donoghue is the John P. Marquand Professor of English, Harvard University and the editor of the Old English series for the Dumbarton Oaks Medieval Library of Harvard University Press.

Reviews

“The great virtue of this translation is its brilliant faithfulness to the original and the way it preserves much of the flavor and  stylistic vigor of the original.”
Robert J. Hasenfratz, Professor of English and Medieval Studies, University of Connecticut

Summary

In 1933, John Lomax and his young son Alan traveled by car to a number of prisons scattered throughout Texas, Louisiana, Mississippi, and Tennessee. In the nation’s most restricted spaces, they recorded African-American convicts, who Lomax thought would be some of the last singers of traditional folk material due to the isolation of the institutions that held them.  As a result of this fieldwork, we now have access to a multitude of powerful songs, both well and little known, which provide some understanding of this folk group during the era of Jim Crow in America’s South.

Tracklist

1. Rattler by Mose “Clear Rock” Platt
2. That’s Alright, Honey by Mose “Clear Rock” Platt
3. The Midnight Special by Ernest “Mexico” Williams
4. Ain’t No More Cane on the Brazos by Ernest “Mexico” Williams 1933
5. Ain’t No More Cane on the Brazos by Ernest “Mexico” Williams with James “Iron Head” Baker
6. My Yellow Gal by James “Iron Head” Baker with R.D. Allen and Will Crosby
7. Black Betty by James “Iron Head” Baker with R.D. Allen and Will Crosby
8. The Grey Goose by James “Iron Head” Baker with R.D. Allen and Will Crosby
9. Long Gone by “Lightning” Washington
10. Long John by “Lightning” Washington
11. Good God Almighty by “Lightning” Washington
12. Stewball
13. John Henry
14. He Never Said a Mumbling Word
15. Rosie
16. Alabama Bound by “Bowlegs”
17. Jumpin Judy
18. John Henry
19. Jumpin Judy by Allen Prothero
20. Sit Down, Servant by Adie Corbin and Ed Frierson
21. Levee Camp Holler by John “Black Sampson” Gibson
22. Track Lining Song by John “Black Sampson” Gibson
23. Steel Laying Holler by Rochelle Harris
24. Interview with John Lomax 1933

Author

John Lomax (1867-1948) was an American teacher, a pioneering musicologist and folklorist  who did much for the preservation of American folk songs.

Mark Allan Jackson is Associate Professor of Folklore and English at Middle Tennessee State University who specializes in political expression in American music.  He has published essays, reviews, and commentaries in such journals as American Music, The Journal of American History, Popular Music and Society, The Journal of American Folklore, Journal of Folklore Research, and The Tennessee Folklore Society Bulletin. 

Reviews