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Elsewhere: How the U.S. Food System Cultivates, Conceals, and Consumes its Violence

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Pub date: 10/20/2026
296pp
PB 978-1-959000-91-4
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Elsewhere:

How the U.S. Food System Cultivates, Conceals, and Consumes its Violence

Summary

Geographer Stian Rice demonstrates how the current solutions to fix our broken food system miss the point. He argues that our food system isn’t broken—in fact, it’s working just fine as a capitalist system that generates wealth—and that the harms it inflicts are intentional. Elsewhere examines the 250-year history of the US food system, uncovering how the country used abundance to enrich some and exploit others and how it captured, colonized, and reorganized territory to conceal its harms. To keep generating wealth, the system moves its violence around, away from privileged producers and consumers and into forgettable elsewhere: reservations, prisons, distant islands, killing floors, inner cities, rural hinterlands, and war-torn countries. Rice shows how decades of technological innovation, environmental awareness, and consumer consciousness have not, and will not, staunch these self-inflicted wounds until we can nurture a food system that does not profit from harm.

Contents

List of Figures

Preface

Introduction: “The Food System Is Broken”

1 Divide and Cultivate: Removals, Reservations, and the Making of Elsewhere

2 Scatological Imperialism: Squandering Soil and Grabbing Guano for Ravenous Monocultures

3 Grand Theft Agriculture: Japanese American Incarceration and California’s Produce Empire

4 Grain, Grain Everywhere: Technology, Policy, and the Making of Excess

5 Invade, Aid, Trade: Making the World Safe for Profit

6 Of Meat and Migrants: Domesticating Humans and Animals Through Economies of Scale

7 Hunger Is Not a Polygon: Making Place for Malnutrition on the National Map

Conclusion: If It Ain’t Broke, Break It

 Acknowledgments

Author

Stian Rice is a geographer whose work examines the origins of violence in the food system. He has written about famine, genocide, and structural violence for academic and general audiences since 2012 and is the author of Famine in the Remaking: Food System Change and Mass Starvation in Hawaii, Madagascar, and Cambodia. He is assistant research scientist with the Center for Urban Environmental Research at the University of Maryland Baltimore County, and teaches geography at Anne Arundel Community College in Arnold, Maryland. Rice received his PhD in geography from Kent State University. 

Praise

"Important and impressive scholarly work."

—Pritam Singh, University of Oxford

Wide Branches, Deep Roots: How Appalachian Wisdom Can Help in the Fight for a Sustainable Future

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Pub date: 12/15/2026
296pp
PB 978-1-959000-97-6
$32.99
EPUB 978-1-959000-95-2
$16.47
PDF 978-1-959000-96-9
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Wide Branches, Deep Roots

How Appalachian Wisdom Can Help in the Fight for a Sustainable Future

Summary

This collection of over thirty pieces explores the connections between Appalachia’s stories, traditions, and modern events and the pathway to regional sustainability. The contributors—writers and scholars—consider what sustainability means in an Appalachian context and demonstrate how to utilize regional knowledge to achieve it, while offering specific actions for readers.

Contents

Land Acknowledgment

Preface – Jessica M. Jones

Acknowledgments

Introduction - Amanda E. Hayes

I. Roots and Brambles: The Nature of Appalachian Sustainability

  1. Aunt Bett’s Beans - Ivy Brashear 
  2. The Walker Sisters: Preservation, Human Spectacle, and Land Use in Southern AppalachiaNicole Drewitz-Crockett
  3. Camp Elizabeth–Who I Am, Where I’m From - Liz Emmerth Rexroad 
  4. Dark Ecology and the Monstrous Mother in Old Gods of Appalachia - Paul Thomas
  5. Misadventures with Backyard Chickens: Lessons on Heritage and Homesteading - Lockie Hunter
  6. A Man Around the House: Lessons in Dumpster Diving and Sustainability - Lockie Hunter
  7. Falling Rock Area - Deborah Fleming 
  8. Homecoming: Love Notes on Sustainability for Appalachia - Sarah Powell

II.  Seeds and Saplings: Witness for Sustainability

  1. Haunted in Place: Folktale Pedagogy - Taylor Nasim Stone
  2. The Witches They Could Not Burn: Writing as Resistance in Appalachia - Sarah Long

Teaching with the Mountains: Reflections on Place and Identity in Science Education - Amanda Garner

  1. Loyalty and Truth: Navigating Environmental Justice Conversations as a Coal Miner’s Daughter - Kristen LeFevers
  2. Embodied Practices: Sustaining Students from Appalachia after Hurricane Helene - Elizabeth Weems
  3. Foul and Fertile Ground: The Legacy Pollution of Coal Extraction and Its Implications on a Sustainable Appalachian Future - Aysha Bodenhamer and Luc Biscan-White 
  4. Sustaining Appalachian Mobilities: Connecting Rail Trails with Local Histories in Western North Carolina - Matthew Calloway
  5. An Abolitionist Future for Appalachia - Meghan Moore-Hubbard 
  6. Fractured Lives, Resistant Roots: A Braided Essay Across Three Voices - Jessica Radicic
  7. Residues and Regeneration in Northern Appalachia - David Blackmore
  8. Walking the Homeplace - Jessica M.  Jones

III. Branches and Boughs: Reaching Toward Sustainability

  1. Practice Everyday Wisdom—Appalachia Style - Larry Smith
  2. Grow Porch Potatoes - Amanda E. Hayes  
  3. Find Your Wild Place - Sarah Long
  4. Map Your Appalachian Soft Skills - Sarah Powell
  5. Rewild Your Yard - Jessica Jones 
  6. Read Roadside Markers  - Matthew Calloway
  7. Help Incarcerated Folks  - Meghan Moore Hubbard
  8. Investigate Sustainability Practices in Appalachia - Kristen LeFevers
  9. Hunt for Your Ancestral Stories - Elizabeth Tussey
  10. Be a Creek Keeper - Richard Hague
  11. Support Gender Identity  - Barbara Marie Minney
  12. Cultivate an Eco-Friendly Household  - Patrice Stank
  13. Take Part in Mutual Aid   - Christina Fisanick
  14. Walk a Haiku Path to Advocacy - Barbara Sabol
  15. Dance with the Ones that Came Before - Greg Bealer 
  16. Be Our Best Selves - Kari Gunter-Seymour
  17. Support Sustainable Efforts Across the Region  - Amanda E. Hayes and Jessica M. Jones

Bibliography

Contributors

Index

 

Editors

Jessica M. Jones serves as full-time faculty at Kent State University, where she teaches creative writing, Native American literature and place-based composition. She comes from a long line of makers and musicians in Northern Appalachia and prefers to live life out of doors. She holds a master’s from the University of Montana with K-12 licensure and training in Montana Indian Education for All. Her poetry and essays have been published in numerous journals and anthologies, and her chapbook, Bitterroot, can be found at Finishing Line Press.

Amanda E. Hayes teaches English and composition at Kent State University-Tuscarawas. Raised on a multigenerational family farm in Appalachian Ohio, she now researches and writes about regional traditions of literacy, storytelling, and education. Her works include The Politics of Appalachian Rhetoric and The Madison Women: Gender, Higher Education, and Literacy in Nineteenth-Century Appalachia.

Contributors: Greg Bealer, Luc Biscan-White, David Blackmore, Aysha Bodenhamer, Ivy Brashear, Matthew Calloway, Nicole Drewitz-Crockett, Christina Fisanick, Deborah Fleming, Amanda V. Garner, Karie Gunter-Seymour, Richard Hague, Amanda E. Hayes, Lockie Hunter, Jessica M. Jones, Kristen LeFevers, Sarah Long, Meghan Moore-Hubbard, Barbara Marie Minney, Jessica Radicic, Elizabeth Emmerth Rexroad, Barbara Sabol, Larry Smith, Patrice Stank, Taylor Nasim Stone, Paul Thomas, Elizabeth Tussey, and Betsy Weems.

Praise

Wide Branches, Deep Roots is a joy to anyone who has known the truth all along—that sustainability and environmental stewardship in the Appalachian region is not just a passing fad, but an inherited practice since the region’s inception. Its impact will extend beyond the classroom to local historians, community organizers, and environmental activists who will find in it a mirror for their lived experiences accompanied with strong models of sustainable, place-based advocacy.” 

–  Marti Wagnon, assistant professor of English in the School of Writing, Language, and Literature at Radford University

The New Decentralists The Back-to-the-Land Movement and the Politics of Localism in Appalachia, 1968–2000

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Pub date: 11/8/2026
308pp
24 b/w figures 2 maps
PB 978-1-959000-88-4
$31.99
EPUB 978-1-959000-89-1
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PDF 978-1-959000-90-7
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The New Decentralists

The Back-to-the-Land Movement and the Politics of Localism in Appalachia, 1968–2000 

Summary

The late 1960s found young, middle-class, white Americans embracing localism to escape federal bureaucracies and an increasingly impersonal society. The “back-to-the-landers” took this one step further by moving to rural areas, including Appalachia, in pursuit of self-reliance, liberation, and community. They championed agrarian decentralization, a vision of reform based on self-provisioning, neighborly reciprocity, and small-scale manufacturing. And they shared an interest in preserving folkways and certain social conventions and in protecting their farming communities against the threat of surface coal mining. Although localism seemed to be the solution for democratizing these communities, a conservative political shift scaling back federal regulation instead placed power in the hands of a new local and state political elite that did not share their values, leaving these agrarian communities more vulnerable to the threat of surface mining. 

Contents

List of Figures

Acknowledgments

Introduction: Decentralist Fever

Chapter 1 – Appalachian Localism and the Back-to-the-Land Movement

Chapter 2 – Going “Guerilla” in the War on Poverty

Chapter 3 – From Heathcote to Hamlin

Chapter 4 – Appalachia’s Heirs

Chapter 5 – Trust in the Hills

Chapter 6 – Hooray for the Outsiders!

Chapter 7 – Our Struggle Is a Barometer

Conclusion

Notes

Bibliography

Index 

Author

Jinny Turman is associate professor of history at the University of Virginia’s College at Wise. She holds a PhD in history from West Virginia University. Her areas of interest include modern U.S., public, environmental, and Appalachian history. She has published in West Virginia History, Journal of Southern History, and Appalachian Journal. She is an active member of the National Council on Public History, the Appalachian Studies Association, and Society of Appalachian Historians. Turman resides with her partner and their many animals in Big Stone Gap, Virginia. This is her first book.

Praise

“Outstanding. This story has come nowhere near being told with such depth and breadth until now.”

—Paul Salstrom, author of Appalachia’s Path to Dependency: Rethinking a Region's Economic History, 1730-1940

“A distinctive story. Engaging. Fascinating.”

—Dona Brown, Professor of History, University of Vermont 

What Kind of Mother: A Memoir

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Pub date: 09/08/2026
356pp
PB 978-1-959000-80-8
$22.99
EPUB 978-1-959000-81-5
$13.97
PDF 978-1-959000-82-2
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What Kind of Mother

A Reckoning

Summary

A mother’s memoir that reckons with her son’s descent into severe mental illness. What appears to be substance use disorder in high school later becomes a dual diagnosis as bipolar disorder emerges. Her son soon grows disillusioned with prescribed pharmaceuticals and participates in a residential treatment program that assists people in forgoing medication altogether. However, the program ultimately ejects him from the community for the very behaviors that the medication once managed. The book chronicles Sandler's initial denial of her truth, her painful awakening to mental illness in her family, and her eventual acceptance that she cannot save her son—only he can save himself.

Contents

n/a

Author

Judy Sandler is a writer and educator living in mid-coast Maine. She holds an MLA from Johns Hopkins University and an MFA from Stonecoast, at the University of Southern Maine. Her writing has appeared in The New York Times’s “Tiny Love Stories,” The Atticus Review, The PerchPangyrus, and the Treatment Advocacy Center blog. Sandler previously taught in Baltimore area independent schools for over twenty-eight years. She is now the creative nonfiction editor for both The Stonecoast Review and The Awakenings Review. Sandler and her husband are the parents of three adult children, Alex, Lucy, and Noah.

Praise

"What Kind of Mother is a poignant, brilliantly-written evocation of what it means to come to terms with a child's addiction and mental illness, and in the process one's own struggles and history overcoming secrecy and shame, and how they conspire to destroy families from within. Absolutely unforgettable—this is a story that will stay with me forever."

—Elissa Altman, author of Permission: The New Memoirist and the Courage to Create, and Motherland

“Incredibly warm and funny and tender, this is a riveting story about what happens when we have to face our worst fears—about ourselves and the children we love. With wry humor and a wildly compelling voice, What Kind of Mother dares to do the taboo: to talk about what happens when things don't go at all according to the plan. It’s a book about taking the blinders off and a very moving love story. I could not put it down.”

—Susan Conley, author of Landslide

"Sandler's memoir delves into the poignant realization of a mother’s limitations in shielding her family from life's hardships, offering a raw and honest exploration of love, mental illness, and the struggle for redemption. What she believed she could not control she can and has controlled this narrative in a direction of pure heart. What Kind of Mother is a gem…this is art, this is literature with a capital L, literature built on the foundation of emotion, the very thing that allows any reader to connect to.”

—Morgan Talty, author of Night of the Living Rez: Stories and Fire Exit: A Novel

What Kind of Mother is a heartbreakingly vulnerable and sobering portrayal of what it is like to watch your child spiral into addiction and reckon with the life-altering effects of mental illness. With searing honesty, Judy Sandler takes us into her complex journey of retracing the family history and parenting decisions that might make her culpable in the ongoing story of her son’s struggle to find equilibrium.” 

—Melanie Brooks, author of A Hard Silence: One Daughter Remaps Family, Grief, and Faith when HIV/AIDS Changes It All

“The narrative becomes a source of solace, forging connections among those who share in the silent struggles of nurturing and supporting adult children with mental health challenges.”

—David Goodman, MD, Johns Hopkins University School of Medicine

Let All Our Ghosts Depart:Stories

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Pub date: 09/01/2026
228pp
PB 978-1-959000-94-5
$19.99
EPUB 978-1-959000-98-3
$9.97
PDF 978-1-959000-99-0
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Let All Our Ghosts Depart 

Stories

Summary

In Meghana Mysore's debut short story collection, present-day women and girls of the South Asian diaspora grapple with belonging and are haunted by intergenerational inheritances. Mysore, herself the daughter of Indian immigrants, spins her stories around narrators struggling to assimilate into the surreal world around them. In the world of these stories, ghosts are real--in “Repair Shop,” dead mothers reappear as chiding, broken-down cars; in “Hoarder,” the narrator’s ex-lovers transform into scarves that won't let her go. In another story, a daughter, trapped inside her grief, spends her days Face Timing with her dead father, watching him become a young man she never knew.

At turns absurd and darkly humorous, and sometimes speculative, Mysore’s stories touch on real-life experiences of intergenerational trauma, womanhood, the fluidity of desire and longing, and coming home to one’s body. Her characters have faced violences small and large, holding losses that bind them to their pasts and weigh them down in daily life. Each of these stories contains an experience of transformation, be it small or monumental for these women, who find spaces of freedom and delight within their circumstances.

Contents

Hoarder
Kerosene
In Lamplight You Are Made Whole
A Sweater for You
The Healing Quotient
Blood and Bone
Harshal
A Pure Thing
The Pretend Game
Let All Our Ghosts Depart
Adalita
Soft Still in Pain
Spring Fling
Hair Bright as the Moon
Love Letters
Grief Is Not Our Only Name
Stage Light
Repair Shop
Acknowledgments and Gratitude 

Author

Meghana Mysore’s stories, essays, and poems have appeared in The Yale Review, The Massachusetts Review, The Audacity, and more. She is the winner of the Barry Hannah Prize in Fiction. Mysore has been a Steinbeck Fellow and a scholar at McCormack Writing Center and Bread Loaf. She holds an MFA from Hollins University and a BA in English from Yale. Mysore has taught as visiting faculty at Amherst College and Bucknell University, and is an incoming assistant professor of English and creative writing at Randolph College in central Virginia.

Praise

"Let All Our Ghosts Depart is a work of wonder. Kaleidoscopic and introspective, this book is a testament to the expansive and transformative power of storytelling. Examining grief and loss, loneliness and intimacy, the longings and desires of women, and the tarnished brightness of being alive, these stories are as multifaceted as memory itself.”

K-Ming Chang, Lambda Literary Award-winning author of Bestiary, Gods of Want, and Organ Meats

"Let All Our Ghost Depart is a beautiful and imaginative collection, filled with characters who are longing to make sense of themselves, their relationships, and the losses that haunt them. With humor and insight, these stories ask us to reflect on what we owe each other and ourselves. A thrilling debut."

—Marian Crotty, author of Near Strangers and What Counts as Love

“In these visionary stories ex-lovers metamorphose into strangling scarves and three generations of women joyfully transform into rainbow-hued squirrels; the dead refuse their deaths even as the living must fight to be alive. Every page offers something gorgeous, savage, and unexpected. Meghana Mysore is an extraordinary talent, and her work is unforgettable.”

—Susan Choi, National Book Award-winning author of Flashlight and Trust Exercise

“In melancholic and poetic prose that reflects the characters’ psychic distance from the worlds they inhabit, the stories in Let All Our Ghosts Depart explore powerful themes through the eyes of women longing to find connection and meaning across several generations of dislocation.”

Jessie Ren Marshall, author of Women! In! Peril!

Let All Our Ghosts Depart is an extraordinary collection in its inventiveness and originality, and in its creation of distinct and unique characters. Meghana Mysore's glorious debut explores experiences of the Indian-American diaspora with beauty and precision and humor; she writes about grief and longing like no one else. A magnificent collection." 

—Karen E. Bender, author of The Words of Dr. L. and Other Stories and National Book Award Finalist

"There’s a strangeness born of real life that only fiction can reach; these haunting, wholly original stories illuminate the ways in which we both connect with and miss the most important people in our lives."

 —Sejal Shah, author of How To Make Your Mother Cry: Fictions and the essay collection This Is One Way to Dance

AWP26

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Impasse Poetics at the Nordic Oil Coast

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Karl Emil Rosenbaek Reetz

May 26 2026
260pp
11 b/w images

PB  978-1-959000-76-1
$27.99
ePub 978-1-959000-77-8
$27.99
PDF 978-1-959000-78-5
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Energy and Society series

 

 

Impasse Poetics at the Nordic Oil Coast 

Contemporary Petrofiction from Denmark and Norway

Summary

In Impasse Poetics at the Nordic Oil Coast, Karl Emil Rosenbaek Reetz examines the viscosity of our current bitumen foundation through the representation of oil as more than mere energy in Danish and Norwegian literature and culture from 1992 to today. The 1990s mark the beginning of institutionalized, supranational recognition of climate change with the initiation of the Conference of the Parties (COP, 1995), the UN Earth Summit of 1992, and the Kyoto Agreement of 1997. The last thirty years have seen a huge public and political increase in awareness of climate change, perfectly aligned with a huge increase in the production and consumption of fossil fuels.

In the quest for a greener future, the Nordic countries proclaim to be green frontier nations, yet Denmark and especially Norway also continue to extract natural gas and oil from the seabed of the North Sea and further North. This has led to a peculiar sense of oil impasse present in contemporary fiction from this region. The Nordic green frontier myth, it seems, does not instil the intelligentsia with a sense of accomplishment as much as a sense of despair.

Contents

Chapter 1        Introduction: From Peak Oil Frenzy to Tough Oil Impasse

 

Part I: Oil and Water

 

Chapter 2        “Below, Everything Is Speculation”: Oceanic Irrealism

Chapter 3        Smilla and the Arctic Petroleumscape: Offshore Nordic Noir

Chapter 4        Roustabout Narratives: North Sea Oil Work and the Peripheralization of Worker Rights

 

Intermezzo      Oil Adventure Inc.: A Story of Concrete and Discursive Ingenuity

 

Part II: Stuck in a Moment

 

Chapter 5        Pedal off the Metal: Breaking the Habit of Careless Car Culture

Chapter 6        Future Energyscapes: Nordic After-Oil Imaginings

 

Conclusion: From Impasse to Dissonance

Acknowledgments

Appendix: Original Danish and Norwegian Poetry and Prose Selections from the Book

Notes

 

Author

Karl Emil Rosenbaek Reetz is the Carlsberg Internationalization Postdoc Fellow, Faculty of the Humanities, Department of Nordic Studies and Linguistics at University of Copenhagen. He holds a PhD in comparative literature from the University of Southern Denmark. He is a literary scholar specializing in the interrelations and cultural implications of energy sources, particularly oil. His primary area of interest concerns contemporary literary fiction from the Nordic countries and their intermixture with energy, particularly the heavily fossilized North Sea. Rosenbaek Reetz has published in The Journal of Energy History; Women, Gender & Research; and Ecozon@. He has contributed to The Cambridge Companion to World Gothic Literature, The Sea in Nordic Literature, and the Handbook of Research on Sustainable Lifestyles.

Praise

“An important—even necessary—contribution to a growing body of work on petroculture, from a region with a significant, yet understudied, greenhouse gas footprint. This culture of oil extraction in Norway is fascinatingly contradictory, even monstrous.”

—Karen Pinkus, Cornell University professor emerita and author of Subsurface and Fuel: A Speculative Dictionary

Above the Oxbow

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Danielle Raad

April 7 2026
298pp
14 b/w images 1 map

PB 978-1-959000-68-6
$26.99
ePub 978-1-959000-69-3
$26.99
PDF 978-1-959000-86-0
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Above the Oxbow 

Stories Entangled with a Mountain

Summary

Above the Oxbow is a journey through the tangle of rich narratives surrounding Mount Holyoke, a locally cherished mountain in Western Massachusetts. It explores how visitors have forged connections with the mountain through various activities over the past two centuries. In an accessible blend of storytelling and scholarly analysis, Danielle Raad shows the significance of the landscape, historic sites, and material culture, revealing how cultural perspectives, community activism, collective memory, and personal experiences shape our understanding of a place. Situated at the intersection of public history and environmental history, this ethnography of place also discloses the curious stories of the Summit House, an erstwhile tramway, an airplane crash, and the local fight to conserve Mount Holyoke as a natural space and celebrates its myriad uses today.

Contents

List of Figures

Acknowledgments

One The Ascent: An Introduction

Two Narrating the Mountain’s Past

Three “Is Not the Scene Magnificent?”: The View from Mount Holyoke

Four Participation and Parcel: Conserving and Experiencing Nature

Five Ruin to Museum: Historical Engagement at the Summit House

Six Materializing Memory on the Mountain

Coda The Descent

Endnotes

Bibliography

Index

Author

Danielle Raad is assistant professor of history and museum studies at the University of Georgia. She is a public historian, anthropologist, archeologist, and curator with a focus on how people in the present make meaning from the material culture—art, artifacts, and historic sites—of the past.

Raad held positions as the curator and assistant director of the Stanford University Archaeology Collections and as a postdoctoral fellow at Yale University Art Gallery. She has been published in Historical Archaeology, Journal of Cultural Geography, Journal of Archaeological Science, and University Museums and Collections Journal.

Praise

“Raad brings new ideas to play in this inquiry, such as a different sense of place created by a mostly natural rather than constructed setting . . . a good addition to a bookshelf containing histories of places and their cultural significances and meanings.” 

Dan Allosso, author of Peppermint Kings: A Rural American History