Weatherford Award winner, nonfiction
With hundreds of thousands of copies sold, a Ron Howard movie in the works, and the rise of its author as a media personality, J. D. Vance’s Hillbilly Elegy: A Memoir of a Family and Culture in Crisis has defined Appalachia for much of the nation. What about Hillbilly Elegy accounts for this explosion of interest during this period of political turmoil? Why have its ideas raised so much controversy? And how can debates about the book catalyze new, more inclusive political agendas for the region’s future?
Appalachian Reckoning is a retort, at turns rigorous, critical, angry, and hopeful, to the long shadow Hillbilly Elegy has cast over the region and its imagining. But it also moves beyond Hillbilly Elegy to allow Appalachians from varied backgrounds to tell their own diverse and complex stories through an imaginative blend of scholarship, prose, poetry, and photography. The essays and creative work collected in Appalachian Reckoning provide a deeply personal portrait of a place that is at once culturally rich and economically distressed, unique and typically American. Complicating simplistic visions that associate the region almost exclusively with death and decay, Appalachian Reckoning makes clear Appalachia’s intellectual vitality, spiritual richness, and progressive possibilities.
Part I. Considering Hillbilly Elegy
T. R. C. Hutton;
Once Upon a Time in “Trumpalachia”: Hillbilly Elegy, Personal Choice, and the Blame Game
Dwight B. Billings
Stereotypes on the Syllabus: Exploring Hillbilly Elegy’s Use as an Instructional Text at Colleges and Universities
Benham, Kentucky, Coalminer / Wise County, Virginia, Landscape
Panning for Gold: A Reflection of Life from Appalachia
Ricardo Nazario y Colón
Will the Real Hillbilly Please Stand Up? Urban Appalachian Migration and Culture Seen through the Lens of Hillbilly Elegy
What Hillbilly Elegy Reveals about Race in Twenty-First-Century America
Lisa R. Pruitt
Prisons Are Not Innovation
Down and Out in Middletown and Jackson: Drugs, Dependency, and Decline in J. D. Vance’s Capitalist Realism
Travis Linnemann and Corina Medley
Keep Your “Elegy”: The Appalachia I Know Is Very Much Alive
HE Said/SHE Said
The Hillbilly Miracle and the Fall
Michael E. Maloney
In Defense of J. D. Vance
Kelli Hansel Haywood
It’s Crazy Around Here, I Don’t Know What to Do about It, and I’m Just a Kid
“Falling in Love,” Balsam Bald, the Blue Ridge Parkway, 1982
Black Hillbillies Have No Time for Elegies
William H. Turner
Part II. Beyond Hillbilly Elegy
Tether and Plow
On and On: Appalachian Accent and Academic Power
Olivia’s Ninth Birthday Party
Kentucky, Coming and Going
Kirstin L. Squint
Resistance, or Our Most Worthy Habits
Notes on a Mountain Man
Jeremy B. Jones
These Stories Sustain Me: The Wyrd-ness of My Appalachia
Consolidate and Salvage
How Appalachian I Am
Aunt Rita along the King Coal Highway, Mingo County, West Virginia
Keith S. Wilson
Loving to Fool with Things
Kelly Norman Ellis
How to Make Cornbread, or Thoughts on Being an Appalachian from Pennsylvania Who Calls Virginia Home but Now Lives in Georgia
Tonglen for My Mother
Olivia at the Intersection
Appalachian Apophenia, or The Psychogeography of Home
Dale Marie Prenatt
Poet, Priest, and “Poor White Trash”
List of Contributors
Sources and Permissions
Anthony Harkins is a professor of history at Western Kentucky University in Bowling Green, Kentucky, where he teaches courses in popular culture and twentieth-century United States history and American studies. He is the author of Hillbilly: A Cultural History of an American Icon.
Meredith McCarroll is the director of writing and rhetoric at Bowdoin College, where she teaches courses in writing, American literature, and film. She is the author of Unwhite: Appalachia, Race, and Film.
“The most sustained pushback to Vance’s book . . . thus far. It’s a volley of intellectual buckshot from high up alongside the hollow."
New York Times
“In this illuminating and wide-ranging collection, the authors do more than just debunk the simplistic portrayal of white poverty found in Hillbilly Elegy. They profoundly engage with the class, racial, and political reasons behind a Silicon Valley millionaire’s sudden triumph as the most popular spokesman for what one contributor cleverly calls ‘Trumpalachia.’ This book is a powerful corrective to the imperfect stories told of the white working class, rural life, mountain folk, and the elusive American Dream.”
Nancy Isenberg, author ofWhite Trash: The 400-Year Untold History of Class in America
“So often the song of this place has been reduced to a single off-key voice out of tune and out of touch.Appalachian Reckoningis the sound of the choir, pitch perfect in its capturing of these mountains and theirpeople. This book is not only beautiful, but needed.”
David Joy, author ofThe Line That Held Us
"A welcome and valuable resource for anyone studying or writing about this much-maligned region."
Kirkus (starred review)
"Stunning in its intellectual and creative riches."
Foreword Reviews(starred review)
"While Vance offers one bleak 'window' into the extensive multistate region, this valuable collection shows resilience, hope, and belonging are in Appalachia, too."
"A book of over 40 essays and poems that bring the real Appalachia to life."
The Bitter Southerner
"A vibrant collection of essays . . .many by women, people of colour and queer people, largely written out ofHillbilly Elegy."
Times Literary Supplement
“This edited volume continues the rich Appalachian studies tradition of pushing back against one-sided caricatures of Appalachian people. The essays, poems, and photo-essays in this book demonstrate the diversity of Appalachian perspectives on the serious problems facing our nation as well as the role that myths about Appalachia continue to play in US policy debates. This is a must-read for everyone who read (or refused to read) J. D. Vance’s deeply flawed, best-selling memoir, Hillbilly Elegy.”
Shaunna Scott, University of Kentucky
Read Robert Gipe's "How Appalachian I Am"on Humanities Tennessee's Chapter 16.